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Trying to defend Mila
Ladies and gentlemen, I need
to share with you my feeling and
ask your help to clarify my
trouble that is taking me to a terrible obsession, i.e.: <why Murano chose
Mila to do such kind of hot photos, never seen on Meet Art; as a sort of Murano
rage versus her>. He does not do this with other models, I checked
(to be clear, none of Murano's model
shows the clitoris hood deliberately lifted up, exhibiting her pearl!, as did
Mila). I asked him by email, and he replied < unfortunately, not all Met
Art members appreciate only the beauty of face and body in models, most
of them would want to go far beyond that >; I think it is a non sense
answer, an unfair reply. Owing to my reserch (you can verify, if you wish), it
is not true by the photos; this unequal, this is unjust. And then, if audience
wants cruel images, does he this? just to have market approval and money?
What about ethic and professional deontology?
This thought hurted me very much; I had
several different thoghts conflicting among them, and I conldn't see an
explanation. I tohught because Mila is ukrainian instead that russian, I
thought that is usual to get more satisfaction humiliatig a beautiful woman
than a ugly one; I though to a boy gets his pleasure ripping the wings to
a beatuful butterfly; I thought, I thought....
Than, suddenly, just today, when I
was looking again to the last set of Mila, a flash crossed my mind; I remember
what stated on the foreword of Murano's site, herebelow an extraction:
< I always go for the best and most beautiful things in my
work. And the same goes for my equipment that's why I shoot with the world's
most advanced camera and lighting gear.
Best quality in everything is my
life credo>;
The
sentence underlined, gave me the sense of his philosophy; he takes much care of
technique, but to get a good picture it is not enough, it is needed,
"eye, heart, brain", as said the great photographer H. C. Bresson. Murano can
have the most advanced equipment, but certantily has not "eye, heart, brain".
He takes picture by his mind, by technique, as he has a software inserted in
the brain. He propose everytime his schema, without fantasy, without
imagination, It seems he has not feelings, emotions, soul.
He
said that he take care to the best and most beautiful things in his work, but
if you look at some pictures of last
work with Mila, you will see that bars of round window are in polystyrene!, and
the golden tissue on the window is
fixed by pins, clearly visible; as the setting was arranged quickly, just
patched together. There is a big gap from what Murano says, and what Murano
does; he stated that < The female body is the most beautiful God's
creation>, but he does not represent the women how they deserve (in my opinion); he has his
own concept of beauty, of love, of art, out of reality. Some line before, he
wrote (see his website) :<To be surrounded by beautiful women even silly
ones is an every man's dream>. Have you ever met a really silly woman, apart
if affected by mental desease? he has bad idea about women.
I am
thinkig Murano has some problems with women, even if well hidden.
I
will really appreciate your point of view as regards, because I can be
mistaken, and I do not want have a bad opinion of Murano based on my wrong
interpretation or assumption. I would like clarify my mind and get quite.
My
suspicion is Murano spoiled Mila by seducting her (he his a great public
relation man, an illusion maker, and it is easy to win a youg woman, at
beginning of her career), and invited Mila to show clitoris during the photo
session, without previous agreement. But think, if my assumption is true, if
Mila is you girlfriend, your sister, your friend, or your daughter, will be you
happy about Murano behaviour?
I
want clarify that I am not a moralist, Mila can show her body in the way she
wants, but I have the suspicion that she was conditioned in showing her
body, and this is unjust to me; a very bad relationship with model and
photographer.
It
would be nice that this forum will become an opportunity to exchange our ideas
opinions, feelings, emotions, passions, about Mila's works. For example, I consider suitable for Mila the
photographers Rylsky (see his phtos with Loreen A), Leonardo (see his photos
with Jenya D), Dolce (see his photos with Anita C, and Sara B ), by their skills
on managing lighting and good eye about human form. We could help Mila giving
suggestions, advices, indications for her work. Otherwise this forum seems just
an huge archive of photos, and nothing more.
What
hurted me is Mila in the hands of a very bad person, she is wasting her time,
her special beauty. Think if she would have been shot by another photographer!
Look, at the last set "in the air", no post here till now, and few reference on
web, this is a fact. I can tolerate, I can accept that a stupid man can destroy
a beauty. It is too much! If you look to the last sets of Mila, she looks more
woman, but she is more serious; she lost her smile, her spontaneity. Look, for
example at Loreen A sets, she is always laughing, showing her graces.
Look
at the last set of Jenya D, relased today; she is always "closer", than Mila, but she get more
attention, more success than Mila. Jenya set is already spread on web, Mila set has
just few links.
What is wrong in Mila, what is wrong in Murano: we have to help Mila in
leaving Murano. Stop Murano, we can not accetp this anymore.
Ones' can not destroy a soul, a life just to show/see a naked open pussy
or clitoris.
We
can not loose Mila, her beauty, the world can not looses this beauty.
What
can we do? Why do not contact Met Art by email, asking to give Mila another
chance with another photographer, getting in touch also other forums, forming a
chain?
What
do you think about Mila, you can not answer if you wish; your silence is an
approval; it's ok?
I'm
sorry for the length of the speech, I wanted touch several aspects, thank you
for your attention, and waiting for your reply I remain.
p.s.:
from set "in the air",
In
this picture, the body of Mila has a sort of torsion, similar to that figures depicted by Michelangelo Buonarroti,
in Sistine Chapel in Rome; I love them very much. These bodies have energy,
strength, they are powerful. Murano kills the vitaliy of models, he put the
model in pose by his cold mind, there is not energy in that poses, he doesn't
care about life. Think this Mila position enligthed by grazing light; imagine
the form, the volume of body exalted by lights and shade effects (tipycal of
Michelangeo paintings). (I don't know who chose this postion, but if was
Murano, he did just to display Mila's ass!). Another aspect I noted is Murano
does not focus the attention on the model, but the model is part of the
context; see the surrondings, they are always fascinating, apparently luxury, and
model is just a part of furnishings (by the majority of pictures);
Murano satisfys his ego, does not set off the beauty of women.